Motu 828 Mk1 Mac Or PC
If the MOTU 828 does not operate normally by following the operating instructions in the owners manual. If the MOTU 828 has been exposed to rain or water. MOTU 828es 28x32 Thunderbolt/USB Audio Interface.c. Paul White tests Mark Of The Unicorn's new FireWire-based multi-channel audio interface for Mac or PC.Motu Authorised Dealer in New Zealand & Australia - Rubber Monkey - Your Audio Visual Superstore. The 828mkII provides the following simultaneous, independent inputs and outputs: 8 channels of quarter-inch TRS 24-bit 96kHz analog I/O (with individually switchable +4/-10 reference levels on input), 2 mic inputs with preamps and phantom power, 8 channels of 24-bit ADAT optical digital I/O (4 channels at 96kHz), 24-bit 96kHz.
Motu 828 mk1 firewire interface/pre, near mint mki gold 8x8 4 pres.Mark of the Unicorn, Inc. A Mac multitrack audio recording application called AudioDesk is bundled with the interface.Motu 828mk3 hybrid firewire/usb2 audio interface with on board effects/mixing. MOTU's own software, such as Digital Performer, bypasses ASIO and talks to the interface directly, though a control panel providing the same options is used to set the interface parameters within other ASIO-compatible software. MOTU's 828 answers that need and is designed to work with any Mac or PC audio software that supports ASIO 2 drivers and that runs on a computer with IEEE 1394 connectivity. 12.Ever since the launch of high-power Apple Mac computers without PCI slots, such as the latest generation of PowerBook portables and the G4 Cube, users have been asking for a serious FireWire audio interface, and demand can only increase as FireWire becomes standard on more and more new PCs. When the MOTU 828 exhibits a distinct change in performance, this indicates a need for service.
When the 896, i bought a fireplug. No PCI card is needed.Motu 828 mk1 driver - supported motu products include, and the oscar goes to use winzip to expand. Connection to the computer is via a single FireWire cable and, like all FireWire devices, the 828 can be hot-plugged. These are configured as eight analogue connections, two optical digital connections that can be used as either ADAT or TOSLink ports, and a pair of phonos dedicated to S/PDIF in and out. This warranty applies only to hardware products MOTU software is licensed and warranted pursuant to separate written statements.In a nutshell, the 828 unit is a mains-powered, 1U rackmounting audio interface for MacOS or Windows that can handle up to 18 simultaneous inputs and outputs at either 16- or 24-bit resolution.
This is less than the mic amp gain of a typical mixing console, but adequate for normal vocal recording or instrument close miking. Both XLR inputs have 48V phantom power, switchable as a pair, and both have gain controls with a maximum gain of 40dB. The remaining two inputs are on Neutrik combo XLR/jacks, enabling them to accept line-level or mic-level inputs.
A front-panel Main level control adjusts the level of the main outputs, and there's a separate control to adjust the Monitor signal level. Outputs 1 and 2 are also fed to a further pair of balanced jack outputs for monitoring, and if Cuemix Plus is being used, the selected input (or input pair) is summed with the main outs. Sample rates of up to 48kHz are supported but 96kHz has been omitted to keep the cost down and also, presumably, not to place too much of a bandwidth burden on the FireWire link.Included in the design is a through-monitoring system called Cuemix Plus for no-latency monitoring of input signals when recording or overdubbing, though with modern computers, latency will often be so low as to be insignificant. The analogue inputs use very nice-sounding 24-bit, 64x oversampling converters, while the outputs use 128x oversampling.
Motu 828 Mk1 Plus Support For
I suspect that most people will want to use the 828 with their own choice of software, but AudioDesk is a very useful extra to have thrown in. The Mac AudioDesk software that comes with the 828 is based on the audio side of Digital Performer, and is actually a very nice stand-alone multitrack recording application. InstallationThe 828 comes with an ASIO 2 driver plus support for MacOS Sound Manager, for the benefit of those who want to use it with iTunes or listen to audio CDs via the interface. There's also a headphone jack for monitoring. This is included primarily to provide hands-free punching in and out, but can be reconfigured to control anything that is accessible via a keyboard key command. Additional LEDs monitor the S/PDIF input and output status, the optical in and out status and the clock rate.Also fitted are an ADAT 9-pin Sync connector (see box, below) and a footswitch jack, which can be configured to two different sets of keyboard commands, one for opening and one for closing.
Once the 828's ASIO driver is selected in the host application, its inputs and outputs appear in the list of available selections in that software. These are accessible from within the host application and any routing is done there in the same way as with any other audio interface. Note that you can only make changes in the Control Panel window when the host application is not running — I tried this with Logic Audio, and once Logic grabs the ASIO driver, you can't make any further changes to the I/O configuration or sample rate until you quit Logic.Unlike MOTU's 2408, which also doubles as an audio routing system, the 828 is very straightforward: it simply gives you 18 inputs and outputs, the eight analogue channels numbered 1 to 8, the S/PDIF 9 and 10, and the ADAT channels 11 to 18. When the optical input or output is set to TOSLink, the S/PDIF phono connector will not be available for selection, as only one S/PDIF port can be active at a time. Where your system latency is too high for comfort, 'through monitoring' is an option when recording audio tracks (although you won't be able to hear the effect of any plug-ins as you record), but it obviously doesn't work for virtual instruments.The pedal input and Sound Manager support are both enabled via tick boxes, and a further window allows a monitor input source to be selected for use with Cuemix Plus.
This may be an issue with other software too, so don't just assume that once the driver is configured correctly, everything else is. This meant setting the Control panel to S/PDIF sync, after first quitting Logic to allow access to the Control Panel, and I also found I needed to set the sample rate value in both the 828 Control Panel and in Logic. I then went on to try the S/PDIF input with a 16-bit feed from the back of my DAT machine. I made some test audio recordings and listened carefully to the playback to make sure there were no glitches — which there weren't — and found the overall audio quality was extremely good. In UseOnce I'd installed the drivers and configured the Control Panel, the 828's I/O options appeared as choices within Logic Audio, after which the program ran normally.
The bundled AudioDesk software (which also includes some good-quality plug-ins) is easily powerful enough for Mac users who need multitrack audio recording without MIDI, but my guess is that most users will buy the 828 to run with software they already own. ConclusionsThis has turned out to be a relatively short review because the 828 is one of those 'does what it says on the tin' products that just gets on with the job without fuss. Doing the same test in AudioDesk showed that the time cursor followed the ADAT tape location whenever 9-pin was selected as the sync reference.Recording vocals and wooden flute via the mic amps again demonstrated that serious design attention has been paid to sound quality, though I felt a little more mic amp gain might have been useful for the benefit of anyone working without a sensitive capacitor microphone or when recording quieter sounds. In Logic, the audio moved across fine, but without the benefit of 9-pin sync time location, as was expected.
The inclusion of monitoring and mic amps (which the Digi 001 also offers) also provides a means for the serious user to run an 'all-soft' system without needing a mixer or separate mic preamp. However, the addition of ADAT 9-pin Sync and FireWire connection extends the flexibility of the interface considerably, and widens the market to include 'slotless' Mac owners.
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